James's spaces are ambiguous yet strangely familiar, as they incorporate domestic elements that imitate furniture, objects, and décor usually found in modest homes, provoking a vague feeling of déjà vu. Four Frames is an immersive sculpture that sparks this sense of recognition with a trompe l'oeil painted set directly inspired by the retro aesthetic in the 1973 film Hotel Monterey. The installation consists of a series of partitions configured into concentric squares with doors to allow visitors to pass through. To artificially amplify the effect of depth in the apartment, the artist subtly warps the represented objects (using variations in scale and stretching) to create a forced perspective. Only once the successive rooms are entered is the subterfuge revealed and visitors gradually become aware of the physical impossibility of the painted space, where the distance between the walls is much narrower than initially imagined.